Monthly Archives: March 2017

Dr Frankenstein – review

Posted on March 31, 2017 by punctualsally

This review first appeared in British Theatre Guide Northern Stage and Greyscale present Dr Frankenstein Based on the novel by Mark Wollstonecraft Shelley Adapted by Selma Dimitrijevic Directed by Lorne Campbell Casting against gender is currently something of a hot … Continue reading →

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RENT – review

Posted on March 31, 2017 by punctualsally

This review first appeared in British Theatre Guide Robert Mackintosh and Idili Theatricals Ltd for Rent 20th Anniversary Production Ltd present RENT Book, music and Lyrics by Jonathan Larson Directed by Bruce Guthrie Jonathan Larson’s La Bohème-inspired, AIDS-themed urban rock … Continue reading →

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Pygmalion – review

Posted on March 23, 2017 by punctualsally

This review first appeared in British Theatre Guide Headlong, West Yorkshire Playhouse and Nuffield Southampton Theatres present Pygmalion by George Bernard Shaw Directed by Sam Pritchard Designer Alex Lowde Sound Designers Max and Ben Ringham Lighting Designer Jack Knowles Video … Continue reading →

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What the Butler Saw – review

Posted on March 12, 2017 by punctualsally

This review first appeared in British Theatre Guide Curve Theatre and Theatre Royal Bath present What the Butler Saw by Joe Orton Directed by Nikolai Foster Designer Michael Taylor Lighting Designer Ben Cracknell Sound Designer and Composer Adam McCready for … Continue reading →

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Pixie’s Project – review

Posted on March 5, 2017 by punctualsally

This review first appeared in Western Park Gazette Leicester Theatre Group and TheNaked. present Pixie’s Project Sue Townsend Theatre, 3 and 4 March Artistic Director and Choreographer Charley Benns Guest Choreographer Matthew Lambden Leicester Theatre Group, one of Leicester’s most … Continue reading →

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Matt Watts: Playlist – review

Posted on March 1, 2017 by punctualsally

This review first appeared in Sabotage Reviews Written and performed by Matt Watts Matt Watts’s Playlist considers the role music plays in our lives, particularly now we are set firmly in the Age of the i-Pod. Appearing on the final … Continue reading →

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